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Mahanagar

by Satyajit Ray, R. D. Bansal

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Set in mid-1950s Calcutta and directed by Satyajit Ray, this story follows the personal triumphs and frustrations of Arati, who decides, despite the initial protests of her bank-clerk husband, to take a job to help support their family. With remarkable sensitivity and attention to the details of everyday working-class life, Ray gradually builds a powerful human drama that is at once a hopeful morality tale and a commentary on the identity of the contemporary Indian woman.

The coward: An aspiring screenwriter encounters a former lover, now married, when his car breaks down near her home.